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The 55th Annual National Recreation Vehicle Trade Show returns to Louisville Nov. 27-30 at the Kentucky Exposition Center. This industry-only event draws approximately 8,000 industry professionals and is expected to generate $6.9 million in economic impact.
The Recreation Vehicle Industry Association (RVIA) hosts the event, which is the largest concentration of RV manufacturers, suppliers, dealers and campground managers in the world. More than 300 booths will pack 1.2 million square feet of exhibit space with motorhomes, travel trailers, campers, RV parts and accessories.
The four-day show provides attendees the opportunity to:
- Discover new products and innovations
- Attend training sessions
- Engage with key stakeholders and leaders
- Network with colleagues
This year features new awards:
- the RV Industry Awards
- the RV Industry 40 under 40.
Other new additions include a dealer sales boot camp, top tech challenge, and outdoor lifestyle pavilion.
Today, a record 9 million recreation vehicles travel U.S. roads representing a substantial increase in ownership over the past decade. The RV industry has seen seven consecutive years of growth.
RVIA is the national trade association for RV manufacturers and their component parts suppliers that together build more than 98 percent of all recreational vehicles produced in the United States.
The National RV Trade Show is closed to the public. For more information, visit www.rviashow.org.
The Croghan and Clark families and their friends welcome guests from near and far to Locust Grove for a special one-day only celebration of Christmastide, 1816.
On Saturday, December 2, from 12pm to 7pm, Locust Grove will come alive with the sights, sounds, and smells of the season as Locust Grove’s corps of First Person Interpreters bring to life the residents of the historic house, as well as their friends and neighbors.
Visitors will have the opportunity to converse with the Croghans about the news of the day—the recent election of James Monroe as the fifth president, the admission of Indiana to the union as the nineteenth state—and learn about life in the 19th century. Guests can join in the dancing and period games, and will have the opportunity to stop in the hearth kitchen to watch meal preparations for the festive occasion.
“Christmastide is a great opportunity to experience Locust Grove as it was alive with friends and family celebrating the season and being together,” says Program Director Brian Cushing. “The craftspeople we have pulled in to show you how the world around them worked in those days really rounds out the experience!”
The Holiday Crafts Market in the Visitors’ Center will feature vendors selling period wares, including soap, leather goods, textiles, stoneware, wax portraits and more 19th century gifts for a 21st century life. A penman will also be on hand to demonstrate18th and 19th century letter-writing techniques as guests enjoy live music, shop in the museum store, and find gift-quality books for a special holiday edition of Locust Grove’s Used Book Sale. Children will have the opportunity to make period holiday cards and orange and clove pomanders.
Christmastide, 1816 will take place on Saturday, December 2 from 12 pm – 7pm. Admission is $6 for adults, $3 for children, and free for children 6 and under.
Locust Grove is located at 561 Blankenbaker Lane (between Brownsboro Road and River Road), Louisville, KY 40207. For more information about these events, please contact Hannah Zimmerman, Marketing Coordinator at marketing@locustgrove.org or call 502.897.9845 x108.
Photo: Kentucky Department Fish And Wildlife
The outlook for the upcoming waterfowl hunting seasons looks as promising as any seasons in recent memory.
“It is shaping up to be a phenomenal year,” said John Brunjes, migratory bird coordinator for the Kentucky Department of Fish and Wildlife Resources. “We are still at all-time highs for duck numbers with as many breeding ducks as we’ve ever had. It’s been that way for a couple of years now.”
Brunjes said biologists conducted duck population counts along the Mississippi River in Illinois last week. They produced four times the normal number of birds counted. “Usually for the second week of November in Illinois, they see about 200,000 birds,” he said. “They counted 800,000 birds along the Mississippi River last week and those birds are heading our way.”
Waterfowl of all stripes are migrating through Kentucky right now. “We are seeing white-fronted geese and even tundra swans in southeast Kentucky,” Brunjes said. “It is very rare. We have a ton of snow geese showing up in weird places this year. The birds are moving well this year.”
The duck, coot, and merganser seasons all open Thanksgiving Day, Nov. 23. The opening segment of the hunting season for ducks, coots and mergansers runs until Nov. 26. These seasons open again Dec. 4, 2017, and close Jan. 28, 2018.
The hunting season for Canada, white-fronted, brant and snow geese also open Thanksgiving Day, but do not close until Feb. 15, 2018.
“We want to remind hunters there is an extended opportunity for geese,” Brunjes said. “The extended season went into effect last year.” Traditionally, goose seasons closed in late January.
A summer devoid of long dry periods set the table for excellent waterfowl habitat this fall. “The moist soil areas and native vegetation look really good,” Brunjes said. “The crops on our wildlife management areas (WMAs) did well. We have the best crops at Ballard WMA that we’ve had in a number of years.”
Finding a place to waterfowl hunt is a challenge for the majority of Kentucky hunters. The first place to check is the public land hunting section of the 2017-2018 Kentucky Hunting Guide for Waterfowl. This section details the hunting options and regulations on public lands, mainly wildlife management areas.
Many, but not all, of the smaller state-owned or managed lakes are open to waterfowl hunting as are reservoirs operated by the U.S. Army Corps of Engineers or the U.S. Forest Service. The bigger waters hold more birds during the coldest stretches of the year, when many farm ponds or smaller lakes freeze over. Call the Kentucky Fish and Wildlife information center at 1-800-858-1549 to inquire if a lake is open to waterfowl hunting.
Those pursuing waterfowl on reservoirs must not hunt near access areas such as boat ramps or areas closed to hunting or public access by signs. Common sense and courtesy dictates waterfowl hunters avoid setting up near private residences or marinas.
Scouting is vitally important to waterfowl hunting success, especially in the first month of the season.
“If you aren’t seeing any birds in the areas you hoped to hunt prior to opening day, you likely won’t see birds on opening weekend either,” Brunjes said. “You have to find the areas birds are using and set up accordingly.”
Waste corn in cut silage fields provides excellent food for ducks and geese. Goose hunters may find agreeable farmers who consider geese a nuisance. Goose hunting in harvested cornfields provides excellent sport and peaks with the coldest weather.
Those farmers may also grant permission to hunt their ponds. From the air, farm ponds dot the Kentucky landscape as craters do the Moon. They can provide the hottest hunting, but not all farm ponds attract birds. Scouting is vital for successful farm pond hunting.
Waterfowl hunters must have a valid Kentucky hunting license, a Kentucky migratory game bird – waterfowl permit along with a Federal Duck Stamp. Federal Duck Stamps are available at post offices across Kentucky.
Waterfowl hunters must have their Harvest Information Program (H.I.P.) confirmation number recorded on either their Kentucky hunting license or on their Kentucky migratory game bird – waterfowl permit. To get your H.I.P. number, visit the Kentucky Fish and Wildlife website at www.fw.ky.gov and click on the “My Profile” tab. Answer a few questions about last season’s harvest of migratory birds to receive your confirmation number. The process takes less than 5 minutes.
“Folks in the neighboring states to our north such as Illinois, where waterfowl seasons are already open, are having great hunting so far,” Brunjes said. “It is early and a lot remains to be seen, but everything is setting up for a great season.”
The Muhammad Ali Center, which opened twelve years ago this month, will be undergoing major renovations that include a complete redesign of its Main Lobby, the Ali Center Store, and Group Entrance. Beyond the normal wear & tear from an approximate 1.2 million visitors over the past dozen years, these enhancements will provide the Center the opportunity to deliver a better overall visitor experience and more contemporary private event space. Additionally, the much needed upgrades will offer a fresh and modern appearance to its retail store, while also supplying better functionality. A major part of the overall improvements will be a custom designed terrazzo floor in the Main Lobby, which will present a striking and welcoming impression upon entering the Center, and provide better durability for this high traffic area.
The renovations, expected to begin in mid-January 2018, will take about three months to complete. While public access to the Ali Center will be affected during this time, visitors will still have access to most areas of the Center, including its 2-1/2 levels of award-winning exhibits and most private event spaces. The Ali Center Store, now located next to the Main Lobby, will be temporarily moved to the Ina B. Bond Gallery on the Center’s Fourth Floor. It is expected that the Ali Center will be closed to visitors from January 8-14, and will re-open on January 15 for Martin Luther King, Jr. Day.
The firm responsible for the project is Patrick D. Murphy Architects.
“These improvements will create a more vibrant and impactful experience for our visitors,” said Donald Lassere, president and CEO of the Muhammad Ali Center, “and we are grateful to our donors and other supporters who are making this possible.”
Photo: Actors Theatre of Louisville
Actors Theatre of Louisville Artistic Director Les Waters and Managing Director Kevin E. Moore are delighted to announce the lineup for the 42nd Humana Festival of New American Plays. A cultural highlight for theatre lovers, artists and producers across the country, the Humana Festival runs February 28 through April 8, 2018.
This year’s Festival program will feature six world premieres, including (in order of opening; for more information on individual plays, see below):
- God Said This by Leah Nanako Winkler
- Marginal Loss by Deborah Stein
- Do You Feel Anger? by Mara Nelson-Greenberg
- Evocation to Visible Appearance by Mark Schultz
- You Across from Me by Jaclyn Backhaus, Dipika Guha, Brian Otaño and Jason Gray Platt
- we, the invisibles by Susan Soon He Stanton
“The Humana Festival of New American Plays is a leading force in today’s theatre. Our writers explore and define the world that we all share,” said Les Waters. “I am very proud that Actors Theatre’s passion and dedication to artistic risk and courage creates a space for these voices to be heard.”
Kevin E. Moore added, “The Humana Festival has long been a vital part of the American theatre landscape. Our partnership with the Humana Foundation is unparalleled, and their nearly four-decade-long commitment ensures that theatre continues to thrive in this country and around the globe. The 2017 Festival was attended by more than 36,000 people, with visitors from 39 states and 57 colleges and universities represented in the audience. By investing in the future of American theatre, Actors Theatre makes a significant impact not only on the national theatre canon, but also on the local economic prosperity and cultural vibrancy of Louisville.”
For over four decades, Actors Theatre of Louisville has been a driving force in new play development, introducing more than 450 plays into the American theatre repertoire and representing the work of more than 400 playwrights and ensembles. The internationally acclaimed Humana Festival is recognized as a crucial incubator for new work and a launching pad for myriad subsequent productions around the country and the world. Plays recently commissioned and/or produced by Actors Theatre—such as Lucas Hnath’s The Christians, Jen Silverman’s The Roommate and Colman Domingo’s Dot—have been seen by audiences far and wide.
This year’s lineup of plays will be performed in rotating repertory in three theatres located in Actors Theatre’s downtown Louisville complex: the 633-seat Pamela Brown Auditorium, 318-seat Bingham Theatre and 159-seat Victor Jory Theatre. The 2018 Humana Festival schedule also offers a weekend of enrichment events for college students, and features special weekend packages for theatre lovers and practitioners alike. These weekends are packed with discussions, networking opportunities and parties, making Louisville a vibrant destination for American theatre this spring. A full list of the weekend package offerings is included in the listings section below.
Actors Theatre celebrates the 42nd Humana Festival with underwriter the Humana Foundation, the philanthropic arm of Humana, Inc. Additional support is provided by the National Endowment for the Arts and The Harold and Mimi Steinberg Charitable Trust.
Detailed information about each of the plays in the 42nd Humana Festival of New American Plays follows:
God Said This
by Leah Nanako Winkler
directed by Morgan Gould
February 28 – April 8
in the Bingham Theatre
With her mom undergoing chemotherapy, New York transplant Hiro returns home to Lexington, Kentucky after years away. Sophie, her born-again Christian sister, fights to maintain her faith amid adversity. James, their recovering alcoholic father, wants to repair his fractured relationship with his daughters, but redemption isn’t easy. And John, an old classmate and single dad, worries about his legacy. Wry and bittersweet, God Said This is a portrait of five people confronting mortality in very different ways—and unexpectedly finding that their struggles bring them together.
Leah Nanako Winkler is from Kamakura, Japan and Lexington, Kentucky. Her plays include Kentucky (2015 Kilroys List; world premiere: Ensemble Studio Theatre/Page 73/Radio Drama Network; West Coast premiere: East West Players), Two Mile Hollow (2017 Kilroys List; simultaneous world premiere: Artists at Play, Mixed Blood Theatre/Mu Performing Arts, First Floor Theater and Ferocious Lotus Theatre Company), and more. Publications: Samuel French and Dramatists Play Service. Winkler received the first annual Mark O’Donnell Prize from The Actors Fund and Playwrights Horizons, and a 2017 Audible commission for emerging playwrights. She is currently a Time Warner Fellow at WP Theater, a member of the Dorothy Strelsin New American Writers Group at Primary Stages and Ma-Yi Theater Company’s Writers Lab, and is an alumna of Youngblood at Ensemble Studio Theatre.
Marginal Loss
by Deborah Stein
directed by Meredith McDonough
March 6 – April 8
in the Pamela Brown Auditorium
part of the Brown-Forman Series
Days after 9/11, the few surviving employees of an investment firm based near the top of the Twin Towers gather in a New Jersey warehouse. Shell-shocked and grief-stricken, they work around the clock to reconstruct what’s left of their company with determination, pen and paper, and a temp who just wants to help. But as they struggle to recoup their losses, they wonder: what does getting “back to normal” really mean?
Deborah Stein is a playwright, director and collaborative theatre maker. Previous work at Actors Theatre includes Fissures (lost and found) and HEIST! (both 2010 Humana Festival) and Brink! (2009 Humana Festival). With Suli Holum, she is co-artistic director of Stein | Holum Projects, where she wrote and co-directed The Wholehearted (ArtsEmerson commission; world premiere at Center Theatre Group and La Jolla Playhouse) and Chimera (HARP commission; Under the Radar 2012; UK Premiere at The Gate in London, 2014). Other collaborations include six plays with Pig Iron Theatre Company, and most recently directing Keith Wallace’s The Bitter Game for La Jolla Playhouse and Under the Radar 2017. Her work has also been produced and developed by Z Space, Playwrights Horizons, Clubbed Thumb, The Theatre @ Boston Court, Live Girls! Theater and Workhaus Collective. Awards include a Bush Artist Fellowship, two Jerome Fellowships and a McKnight Advancement Grant. An alumna of New Dramatists, she received her M.F.A. from Brown, where she studied with Paula Vogel. Originally from Queens, New York, she currently lives in Los Angeles and teaches at the University of California San Diego.
Do You Feel Anger?
by Mara Nelson-Greenberg
directed by Margot Bordelon
March 9 – April 8
in the Bingham Theatre
Sofia was recently hired as an empathy coach at a debt collection agency—and clearly, she has her work cut out for her. These employees can barely identify what an emotion is, much less practice deep, radical compassion for others. And while they painstakingly stumble towards enlightenment, someone keeps mugging Eva in the kitchen. An outrageous comedy about the absurdity—and the danger—of a world where some people’s feelings matter more than others’.
Mara Nelson-Greenberg’s work has been developed at Playwrights Horizons, Clubbed Thumb, Ensemble Studio Theatre, Dixon Place, Theatre Intime and WildWind Performance Lab, among others. She is a member of Youngblood at Ensemble Studio Theatre, a New Georges Affiliated Artist and an alumna of Clubbed Thumb’s Early Career Writers’ Group. She co-wrote the web series End Times Girls Club, which was produced by Broadway Video and Above Average and released in March of 2016. She received her B.A. from Princeton University and is currently pursuing an M.F.A. at the University of California San Diego under Naomi Iizuka.
Evocation to Visible Appearance
by Mark Schultz
directed by Les Waters
commissioned by Actors Theatre of Louisville
March 16 – April 8
in the Pamela Brown Auditorium
part of the Brown-Forman Series
You wanna know what the future looks like? Samantha, 17 and possibly pregnant, longs for solid ground—but she’s haunted by the sense that nothing will last. Her college-bound boyfriend wants to go sing on The Voice, her dad’s asleep on the couch, and her older sister’s in treatment. When Sam befriends a tattooed musician, has she found someone who understands this fallen world? With black humor and black metal, this gripping new play gives form to a gathering darkness.
Mark Schultz is a resident playwright at New Dramatists and a member of Rising Phoenix Repertory. His plays include The Blackest Shore, The Gingerbread House, Ceremony, Deathbed, Gift and Everything Will Be Different: A Brief History of Helen of Troy. His work has been performed or developed by Soho Rep, Playwrights Horizons, Rising Phoenix Repertory, MCC Theater, The Catastrophic Theatre, Birmingham Repertory Theatre (UK), Actors Touring Company (UK) and Tiyatro Yan Etki (Turkey). He has received the Oppenheimer Award and the Kesselring Prize, commissions from MTC/Sloan, Playwrights Horizons, Actors Theatre of Louisville and The Exchange, and was selected for a Royal Court Residency. Schultz holds an M.Div. from Yale Divinity School, a diploma from Berkeley Divinity School, a certificate from the Yale Institute of Sacred Music and an M.F.A. in playwriting from Columbia University.
we, the invisibles
by Susan Soon He Stanton
directed by Dámaso Rodríguez
March 23 – April 8
in the Victor Jory Theatre
Stirred by a controversial case in which a West African maid’s accusation against a powerful man is dismissed, Susan, a playwright working a survival job at a luxury hotel, starts interviewing fellow employees from around the world. She feels compelled to give voice to other hotel workers’ rarely heard stories—but as her investigation deepens, this documentary project becomes an unexpectedly personal journey. Funny, poignant, and brutally honest, we, the invisibles explores the complicated relationship between the movers and shakers and the people who change their sheets.
Susan Soon He Stanton’s plays include Today Is My Birthday (Page 73), Takarazuka!!! (Clubbed Thumb and East West Players), Cygnus (WP Theater Lab), Solstice Party! (Live Source Theatre Group), and The Things Are Against Us (Washington Ensemble Theatre). She is a two-time Sundance Theatre Lab Resident Playwright, and she was recently awarded the inaugural Venturous Playwright Fellowship at The Lark, as well as the Leah Ryan Prize. Her work has been included on The Kilroys List from 2015-2017, and she is currently under commission at Yale Repertory Theatre, South Coast Repertory and Ensemble Studio Theatre. Writing groups past and present include Page 73’s Interstate 73, The Public Theater’s Emerging Writers Group, and the Soho Rep Writer/Director Lab, among others. She writes for Succession (HBO). She received an M.F.A. in playwriting from Yale School of Drama and a B.F.A. from New York University.
You Across from Me
by Jaclyn Backhaus, Dipika Guha, Brian Otaño and Jason Gray Platt
directed by Jessica Fisch
performed by the actors of the 2017-2018 Professional Training Company
commissioned by Actors Theatre of Louisville
March 23 – April 8
in the Bingham Theatre
We gather at tables on good days and bad, for ordinary rituals and once-in-a-lifetime encounters. But in polarizing times, what does it really mean to come to the table? Does it bring us together, or reveal just how far apart we truly are? With electric wit and fierce imagination, four writers explore this surprisingly complicated act, and the many ways we connect, confront and compromise.
Jaclyn Backhaus is a playwright and co-founder of Fresh Ground Pepper. Her play Men on Boats (Clubbed Thumb’s Summerworks, Playwrights Horizons) was a New York Times Critic’s Pick and is published by Dramatists Play Service. Other works include Folk Wandering (Pipeline Theatre Company, upcoming), People Doing Math Live! (Under the Radar Festival’s INCOMING! series at The Public Theater), The Incredible Fox Sisters (Live Source Theatre Group) and You on the Moors Now (Theater Reconstruction Ensemble, The Hypocrites). Backhaus has received commissions from Playwrights Horizons, Manhattan Theatre Club, Ensemble Studio Theatre and Ars Nova, and was the 2016 Tow Foundation Playwright-in-Residence at Clubbed Thumb. She is currently in residence at Lincoln Center Theater. She received her B.F.A. from New York University and hails from Phoenix, Arizona.
Dipika Guha was raised in India, England and Russia. Her plays include Yoga Play (South Coast Repertory, The Kilroys List 2017), The Art of Gaman (The Ground Floor at Berkeley Repertory Theatre, The Kilroys List 2016, Relentless Award semifinalist) and Mechanics of Love (Crowded Fire Theater). She is under commission at South Coast Repertory, the McCarter Theatre, Manhattan Theatre Club, Barrington Stage Company, American Conservatory Theater/Z Space and Oregon Shakespeare Festival’s Play On! project (The Merry Wives of Windsor). Her play Azaan premiered at Oregon Symphony this fall. Guha received her M.F.A. from Yale School of Drama, studying under Paula Vogel, and is a Hodder Fellow at Princeton University. She currently writes for the series American Gods on Starz.
Brian Otaño grew up in New York City, where he worked as a playwright and a scenic artist at the Metropolitan Opera before moving to Los Angeles. His plays include Tara, Zero Feet Away, The Ocean at Your Door, What We Told the Neighbors and Between the Sandbar and the Shore. His work has been performed, developed and workshopped with New York Theatre Workshop, Roundabout Theatre Company, Page 73, Ars Nova, Atlantic Theater Company, New Dramatists, INTAR, The Amoralists, The Parsnip Ship, Lark Play Development Center, IAMA Theatre Company (L.A.) and Celebration Theatre (L.A.). Residencies & Fellowships: New Dramatists Van Lier Playwriting Fellowship, Interstate 73, New York Theatre Workshop 2050 Fellowship, Ars Nova’s Play Group and SPACE on Ryder Farm. Education: Otaño received his B.F.A. in dramatic writing from SUNY Purchase.
Jason Gray Platt’s work has been produced and developed around the country by American Repertory Theater, Actors Theatre of Louisville, Denver Center Theatre Company, The Flea Theater, Round House Theatre, TheatreWorks, The Institute of Contemporary Art/Boston, The Playwrights Realm, Prelude NYC, Page 73 Productions and Red Bull Theater, and through residencies at The MacDowell Colony and Yaddo. He received a Helen Hayes Nomination for The Charles MacArthur Award for Outstanding New Play in 2013 and was the runner-up for the 2007 Princess Grace Award in Playwriting. Originally from Arizona, Platt now lives in Los Angeles. He is a Core Writer at the Playwrights’ Center and a member of Woodshed Collective. He received his B.A. from Vassar College and his M.F.A. from Columbia University.
You Across from Me is supported in part by The Roy Cockrum Foundation.
About the Professional Training Company
Now in its 46th year, the Professional Training Company (PTC) is the cornerstone of Actors Theatre of Louisville’s commitment to education. One of the nation’s oldest pre-professional training programs, the PTC is a one-of-a-kind immersive program designed to transition recent college graduates into careers by teaching the business and the art of being a theatre professional. Members of the Company work directly with Actors Theatre artistic and administrative leaders, as well as visiting guest artists, to receive hands-on training in their respective fields. The PTC is a diverse community comprised of 42 talented individuals who are the next generation of American theatre.
Events
Humana Festival Kickoff
Thursday, February 22, 2018 from 5:30 – 8 p.m.
Join Actors Theatre for a fun celebration to bring in the Festival with much-deserved fanfare! This event is free, but ticketed.
Ovation Celebration
Saturday, March 31, 2018 at 10 p.m.
Join us at this free, casual gathering, where you’ll meet local theatre enthusiasts and welcome the theatre industry’s finest.
Encore Bash
Saturday, April 7, 2018 at 10 p.m.
Come and help us celebrate the closing weekend of the Humana Festival! An evening of food, drink and entertainment throughout Actors Theatre’s lobbies, the Bash is an opportunity for patrons, producers, artists, critics, Actors alumni and more to send off this memorable season in style!
Panel conversations and keynote speakers will be announced at a later date.
Tickets
Festival Ticket Packages will be on sale beginning November 16, 2017 and are available for the following weekends, enabling you to see a variety of Humana Festival plays and access special events: March 16-18, March 23-25, March 30-April 1, and April 5-8, 2018. Packages are available for theatre lovers and practitioners on all Festival weekends, and for college students and professors the weekend of March 23-25, 2018
Actors Theatre’s Season Ticket Holders can access single tickets and package add-ons during a special pre-sale beginning on Wednesday, November 15, 2017.
Single ticket prices start at $25, and tickets will be on sale beginning January 3, 2018. For more information or to purchase Humana Festival weekend packages, visit ActorsTheatre.org or call 502.584.1205.
Read up on the tips Dominique Morisseau, playwright of Skeleton Crew has before you go see her show!
Madelyn Porter and Dexter McKinney in Skeleton Crew, 2017. Photo by Bill Brymer.
You are allowed to laugh audibly.
You are allowed to have audible moments of reaction and response.
My work requires a few “um hmms” and “uhn uhnns” should you need to use them. Just maybe in moderation. Only when you really need to vocalize.
This can be church for some of us, and testifying is allowed.
This is also live theatre and the actors need you to engage with them, not distract them or thwart their performance.
Please be an audience member that joins with others and allows a bit of breathing room. Exhale together. Laugh together. Say “amen” should you need to.
This is community. Let’s go.
—Dominique Morisseau, playwright, Skeleton Crew.
Photo: Kevin Kelly/Kentucky Department of Fish And Wildlife
The Salato Wildlife Education Center in Frankfort will close for the winter at 5 p.m. Wednesday, Nov. 22.
Seasonal closures allow the center’s staff to conduct needed maintenance to exhibits and facilities, which ensure a quality experience for the center’s 50,000 yearly visitors. Staff members also use the time to train the wildlife used in the center’s educational programs.
The center offers a number of wildlife and conservation programs, many of which employ the use of live animals including snakes, turtles, raptors, and mammals.
“Our staff is going to focus on training our two newest program animals during the winter closure,” said Salato manager Brent McCarty. “We’re excited to have two new animals that will help us make connections with our visitors. Our goal is to unveil these animals to the public in the spring of 2018.”
Fans of the center can view see what’s going on behind the scenes during the winter closure on the Salato Facebook page or on the Salato Twitter page. The Salato Wildlife Education Center reopens for the season March 1, 2018.
The Kentucky Department of Fish and Wildlife Resources operates the Salato Center to educate and inform the public about wildlife and conservation. The center is located off U.S. 60 in Frankfort, approximately 1½ miles west of the U.S. 127 intersection. A bronze deer statue marks the entrance of the main Kentucky Fish and Wildlife campus.
Hours are 9 a.m. to 5 p.m. Tuesday through Friday, and 10 a.m. to 5 p.m. Saturday. Salato is closed on Sunday, Monday and state holidays.
Admission is $5 for adults and $3 for youth 5 to 18. Children under 5 are admitted free. The center also offers annual memberships for individuals and families.
